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TEE "The Earth Explorer"

TEE is a five piece flute front progressive rock band from Tokyo, Japan. Their so-called 'European' sound is unique considering their far-east origin. The imaginative tunes with complex ensembles and rhythms will definitely catch the attention of prog lovers all over the world. Their sound will remind you bands like Camel, King Crimson, Asia Minor or even Frank Zappa on some parts. The band was formed in 2004 when... more




Shawn PHILLIPS

At the kick off of his 2010 tour Shawn Phillips sat with us at a 24 hour diner in Davenport, IA to grant us a very special interview. At his insistence, it would be very informal. One should not expect otherwise from this splendid human being.

The hours prior to this meeting over midnight breakfast were now a recent memory, but...more


Kevin BARTLETT

You may not know his name but you have definitely heard his music more than once or twice in your life. Maybe on HBO, or on MTV, or on VH1, Comedy Central, Discovery Channel. Doesn't ring the bell? How about American Idol Rewind, or Dr. 90210? We had interviewed Kevin Bartlett a couple of years ago when his second solo album GLOW IN THE DARK was released. Bartlett has been quiet since that time but but he has been secretly brewing new projects. A few months ago he had put a new song...more


PETER HAMMILL (Van Der Graaf Generator)

Peter Hammill, founding member of Van Der Graaf Generator, released his 28th solo album " nearly 3 months ago. He recently got back home from a short tour covering North America, Canada and Italy. In the 70's when bands like...more





FRIGHT PIG
Barque At The Lune
***
REVERSAL OF GRAVITY
Scuba Gear
***

DAYS BETWEEN STATIONS / Self Titled

Days Between Stations is a new band, with a soon to be released self titled debut album from the indie label Bright Orange. The album is engineered by Evren Goknar, who worked with the Capitol Mastering team (Queensryche, Heart, Sammy Hagar, Red Hot Chili Peppers).

This is an instrumental album with the taste of classic progressive rock / avant-garde era. I can sense the band members were highly influenced by Pink Floyd, King Crimson and some parts even made me think of Alan Parsons. I do not know the story behind the album, and I might be way off with my interpretation but from the song titles I can picture this story: Pain and struggle that one goes through after the loss of a loved one. The album as a whole sounds very much like a soundtrack in this sense. The opening song “Requiem for the Living” starts with intense synthesizers with the slow addition of keyboards. The sound is very emotional, you can picture a movie’s beginning, even before the first scene, with this kind of intro you know something is not right and you are about to witness a dramatic situation. And soon enough, you hear this male voice, sort of singing an eastern funeral song. The second part of the song is mostly the part that makes me think of Pink Floyd. The bass during this part is literally singing. The title makes it very clear that this song reflects the pain and struggle of the living since the ones who are gone can no longer feel anything. “Either / Or”, the second song on the album continues in the same direction and I see how these two connect together. Since the first song has a very down tempo and sad beginning, I picture a scene of a very recent death, the pain has not subsided yet for the one who is left behind, but as the hours go by, the reality hits and that’s why we hear the sad and screaming voices.

From the title of the song “How to Seduce a Ghost” I already know we are not talking about bad ghosts. It still has a chilling beginning but builds up to be a soft “one last possible try” to reach the dead. “Radio Song” is the one that sounds closer to the contemporary electronic music, however it still has a new wave feel to it, until you hear the end with the sax and trumpet.

The last song “Laudanum” has 4 parts: A Long Sad Good-Bye, Everyone is Here But You, Nowhere and The Wake. At this point the album turns into something more avant-garde still with psychedelic roots. The most interesting thing about this long song is that each instrument has its own different rhythm and melody lines, and you can identify each one of them perfectly because they don’t overlay on each other and this brings richness to the sound. Third part of the song, “Nowhere” is haunting. You will hear long single notes that hang forever, and this really gives you the feeling of “emptiness” or “nothingness”. “The Wake”, last part of “Laudanum” is like the calm “after” the storm, with the feeling of “life goes on although it doesn’t make much sense, so I will get up in the morning and get a cup of coffee or something and try to survive”.

I really like this album and can easily picture these guys making a movie soundtrack. Special kudos to the bass player.

Hande BURDG

Rating:




KEVIN BARTLETT

Songs For The Big Kablooey




JACK DUPON

L'Echelle Du Desir




GODSTICKS

EP




CIRCA:

HQ




JUDY DYBLE

Talking With Strangers




PETER HAMMILL

Thin Air




TUNER

Müüt




AGENTS OF MERCY

The Fading Ghosts of Twilight




QUEEN

A Night At The Opera




DAYS BEFORE TOMORROW

The Sky Is Falling




MICHAEL JOHN THOMAS

Guitorchestra





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