DAYS BETWEEN STATIONS

Days Between Stations is the creative partnership between guitarist Sepand Samzadeh and keyboardist Oscar Fuentes. The duo came together in Los Angeles in November 2003, and named the band after the 1985 novel by Steve Erickson. The band’s sound – Samzadeh calls it “art-rock,” Fuentes labels it “post-prog” – reflects their varied influences, as well as a shared disregard for stylistic boundaries... more

BILLY SHERWOOD

We are much honored this month to have Billy Sherwood (CIRCA:, former YES) as our interview guest. He just released his new CD titled "At The Speed Of Life". Currently, beside his solo projects he is one of the members of the band CIRCA:, formed by ex-YES members Tony Kaye and Alan White, along with Jimmy Haun. They released their first solo album in 2007, followed in 2008 by a live DVD. They are currently in the studio working on their second solo CD...more

Kate BUSH / Never For Ever

1980‘s “Never For Ever” is Kate’s 3rd album. The album was co-produced by Jon Kelly & Kate herself. One of the most interesting things about this album is that it is the first record by a British female artist to top the UK album charts. (Wikipedia). Kate’s progressive approach to music reaches its peak with Never For Ever. She tastefully blends different genres including folk, oriental, rock, classical and jazz. Unlike her first two albums which she wrote on piano, this one was written on synths... more

THE ESSENESS PROJECT

The Esseness Project is made up of seasoned musicians Steve Smyth on guitars, Steve Hoffman on bass, & Atma Anur on drums. We have the distinct pleasure of bringing them on as our featured artist of the month. The Esseness Project recieved our highest rating here at TheProgFiles - check out the review by clicking HERE. Because the album quickly turned into a favorite here at TheProgFiles, we had some pressing questions that Steve Smyth was kind enough to answer for us:

TPF: Will you be taking The Esseness Project on the road?

SS: We are talking about getting a mini tour together with a few other artists sometime in summer here, and have also entertained the idea of a few festivals, so we'll have to see what pans out. Stay tuned at our website, forum, and My Space for more details!

TPF: Was The Esseness Project STRICTLY a project - or will there be a second release using the same band lineup under the same name?

SS: No, this was intended to be a side-project purely, and we figured we'd take it easy and figure out each step of the way as it came up. We have every intention of doing another album, have songs written for it, and we plan on bringing Atma back in to drum on it again, and maybe a few guests this time around as well! The core of this will always be myself and Steve Hoffman, however.

TPF: If you don't mind me asking, how are you coming along with your kidney condition?

SS: Not at all, happy to talk about it! I am now 1 year 3 months post transplant, and feel great! Just continuing on with life, and having a good time!

TPF: The album cover is intriguing, is there a story behind it?

SS: Well, the concept is that life (the earth) is much like a game (the labyrinth), and you never know when it's going to end (the earth falling in the hole), so our message in the music is make the most of it!

The man behind this exciting new album project,guitarist Steve Smyth (Nevermore, Dragonlord, Testament, Vicious Rumors) is no newcomer in the metal music or shred guitar world, first being tipped for the top in Shrapnel Records president Mike Varney's “Hometown Heroes” column in the October 1993 issue of Guitar World magazine.

A four year tenure as lead/rhythm guitarist with Bay Area power metallers Vicious Rumors started in 1995. During this time, Smyth contributed to two well received albums; 1996's Something Burning, and 1998's Cyberchrist (both released by Massacre Records), and toured extensively in the USA and Europe in support of both albums.

Then in 1999, Smyth began a four and a half year touring stint with Bay Area thrash metal legends Testament, touring the world in support of The Gathering album and then the First Strike Still Deadly album, playing to nearly 500,000 satisfied fans.

During this time Steve also helped form the lineup of Testament guitarist/founder Eric Peterson's black metal side project, Dragonlord. Two successful albums followed over the next four years: Rapture (Spitfire Records, 2001) and Black Wings of Destiny (Escapi Music, 2005).

Smyth spent late 2003 touring the world with Nevermore, the well respected underground progressive metal band, in support of their album Enemies of Reality. In 2004, Smyth was invited to become part of the band's permanent line-up, leading to the critically acclaimed album, This Godless Endeavor (Century Media, 2005), the band's sixth full length, which featured several songs penned by Steve. A world tour followed, which saw the band play the first Gigantour, the brainchild of Megadeth main man Dave Mustaine, and a headlining tour of Europe, as well as countless support tours.

Fate intervened when in 2006 Smyth was diagnosed with chronic kidney disease. He completed Nevermore's 2006 US tour with Arch Enemy and Chimaira, but as kidney failure neared, Smyth found himself unable to play the U.S. support tour with In Flames, as he began treatment for his illness. During this time of treatment and subsequent recovery, as Smyth states, he found “the time, inspiration, and fire, to finish this album to the absolute best of my ability, and finally enter the realm of instrumental music, something I had wanted to do for a long time.”

“This is certainly a different path I find myself going down, more in the area of progressive rock territory,” Smyth continued. The twelve songs (all produced and engineered by Smyth) are a collaboration between Smyth and his old friend and former bandmate, Steve Hoffman, a well respected classical and jazz musician, bass teacher and instructional author in Northern California. Smyth: “For this debut, Steve [Hoffman] and I went for more of a “soundscape” type atmosphere, rather than focus purely on the shred factor. We wanted to focus on the song, not merely use this as a vehicle for shredding over.” They also knew they wanted the best when it came to a percussionist.

Enter drummer extraordinaire Atma Anur. Best known in the “shred guitar” circles as the man who drummed on countless legendary Shrapnel Records releases, Atma appears as special guest drummer on The EssenEss Project debut. Cacophony (Speed Metal Symphony), Jason Becker (Perpetual Burn), Greg Howe (debut), Ritchie Kotzen and Tony MacAlpine are just a few of the many influential and cutting edge guitarists and musicians Atma has worked with in the past.

“We were absolutely excited when we confirmed Atma to drum on this album,” says Smyth, adding, “Steve Hoffman and I both grew up listening to Atma, and his absolutely insane progressive and innovative style. We had always hoped we might get the opportunity to work with him one day, and now it's happened.”

Recording largely on their own, Steve Smyth and Steve Hoffman, or “Ess en Ess”, take you on a 70+ minute journey through sonic landscapes that range from wildly progressive metal riffing, to experimental rock breaks, through to jazz fusion, with a whole host of other musical influences not normally associated with rock/metal, being stirred into the musical melting pot. “We're both into a lot of different types of music, and wanted to get as much variety into each song, in as tasteful a manner as possible,” says Smyth. One listen to this incredibly ambitious debut, will tell you they've hit their mark..

While Steve Smyth assumed the role of engineer, and makes his producing debut with this album, this album has also benefited from the invaluable input of two illustrious individuals on the production side of the music world.

The album was mixed by Kent Matcke (Metallica, Joe Satriani, Sammy Hagar) at his Pro Music Studios, and mastered by the one and only John Cuniberti (Joe Satriani, George Lynch, Michael Manring producer) at the world famous Plant Studios, all complemented by the excellent artwork from artist Asgeir Mickelson/MultiMono (done covers for Borknagar, Vintersorg, Conception etc). These selections were no accident. “We knew we wanted the best for this album, and I think we got some of the best, most experienced ears and eyes in the business in Kent, John and Asgeir!” says Smyth.